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27F vs. 27H

  
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jay1bala

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Since: Jun 01, 2007
Posts: 7



(Msg. 1) Posted: Fri Jun 01, 2007 8:28 pm
Post subject: 27F vs. 27H
Archived from groups: alt>movies>cinematography (more info?)
Panasonic 27H (the latest) with 12 bit should look (and film-out) much
better than 27F with 10bits quantization? Any real world experiences?

Regards,
Jay Bala.

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davidm2

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Since: Jun 01, 2007
Posts: 1



(Msg. 2) Posted: Fri Jun 01, 2007 11:45 pm
Post subject: Re: 27F vs. 27H [Login to view extended thread Info.]
Archived from groups: per prev. post (more info?)
On Jun 1, 8:28 pm, "pixmoviema...@aol.com" wrote:
> Panasonic 27H (the latest) with 12 bit should look (and film-out) much
> better than 27F with 10bits quantization? Any real world experiences?
>
> Regards,
> Jay Bala.

You can read a review here:
http://broadcastengineering.com/newsrooms/broadcasting_panasonics_vari..._indust

The DVCPRO-HD recording is still 8-bit though. Basically the 12-bit
DSP allows for a little more dynamic range to be captured.

David Mullen, ASC
Los Angeles

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jay1bala

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Since: Jun 01, 2007
Posts: 7



(Msg. 3) Posted: Sat Jun 09, 2007 6:03 am
Post subject: Re: 27F vs. 27H [Login to view extended thread Info.]
Archived from groups: per prev. post (more info?)
Thats recording to tape. Wouldn't SDI output give more than 8 bits?

Also, 14bits quantization is common place even on low end cameras like
JVC 200... 12 bits is a bit too low. Anyone attempted 16 bits yet?
Thats a lot of data...

Regards,
Jay Bala.


> The DVCPRO-HD recording is still 8-bit though. Basically the 12-bit
> DSP allows for a little more dynamic range to be captured.
>
> David Mullen, ASC
> Los Angeles
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