Walla , here is the first beard with that camera on that use group!!
Now for your question , you have to use beachteck or similar adapter door
your mike witch require some kind of power , I hope you have 48ph since
beachteck do have 48ph vertion adaptor , dxc-6 -one input with phantom or
dxc -8 wiyth both inputs .
.If your mike is t powered mike, you would need additional phantom to
tanador (t) power adaptor .
You hook the wireless to on channel( you don't need phantom for the
receiver) and the mike to other ,then feed the camera threw the pl mini
plug in mike level
Now tell mw -you are going to spend about 500$ on that and add half kilo to
your camera , you will spend bunch of $ for the beachteck batteries and
pollute the earth by not recycle them and throwing away in the garbech ,
eventually you will forget to change thedolmost dead ones before important
job - you will end without dissent sound and ruin your work and your name .
Is it worth the lousy 1200$ more that the promodel would cost you , what
arush?
Use soundman -you already did the first sound mistake
Oleg
"Timmy" <nichol.tim DeleteThis @verizon.net> wrote in message
news:skd4q0lfeb3cts4lb3tfc4cf1kbdf2am0u@4ax.com...
> Group,
>
> A company who hires me alot just bought the Sony HDR-FX1. It has no
> XLR inputs only a mini "plug in power" input, so I'm trying to come up
> with an elegant solution for getting good audio.
>
> Here are their requests for audio setup:
>
> Channel 1 = Sennheiser 416 mounted to the top of the camera as a
> camera mic.
> Channel 2 = A wireless hop from me mixing lavs from on-screen talent.
>
> Should I use a Beechtek style adapter? As far as I know none of them
> have phantom power. How do I power the 416? Is this going to take a
> special cable? Two XLR females on one end connected to my wireless
> receiver, the other from the 416 while powering the 416 and knocking
> everything down to a stereo miniplug on the other end.
>
> Any thoughts?
>
> -Timmy >> Stay informed about: Audio Setup for Sony HDR-FX1