> I would also ask, are your analogue units UHF
> and if so what brand and type are they??
UHF, lectro 210s, sonotrim lavs
> Just curious where the driver's transmitter packs/antennas were located? If
> they were on the drivers belts buried in the seat of the go carts that might
> be a reasonable explanation as to why the performance was degraded as I
> assume your bag transmitter and the camera receiver where in a more elevated
> and unobstructed position.
the transmitters were located on the front belt of each talent under
their shirts. i was lucky that they all had untucked shirts - so a
quick switch to the front was possible when they decided to race the
go-carts ( or is it spelled go-karts? ).
> Do you drive to work or take your lunch? The scenario you presented is
> definitely an apples and oranges comparison. However, in all fairness,
> you did outline your configuration sufficiently that we could each draw
> our own conclusions despite the fact that it was not a head-to-head
> comparison. We'd all like our equipment to exhibit zero anomalies no
> matter how we use it.
i agree - i realize that the comparison was "apples to oranges"
because the digital rx and tx were fairly unobstructed and the analog
tx was attached to a body that soaks up signal. but you would think
that there wouldn't be such a difference in range/performance. at
times, the cameraman and talent were 100 meters away and as close as 5
meters. the only time i had usable lavs was when the pack of go-carts
was right in front of me. the digital was rock-solid all the way
around. my post was meant to show my increasing confidence of the
zaxcom as a camera link ( especially around situations that have been
problematic to me in the past like EMI from engines ), not show a
head-to-head comparison between the units. although i guess it is
coming across like that in my posts.
> Also, if you reversed the links were the results the same?
unfortunately, we had no time to stop the production for me to
experiment with different configurations. the producer only wanted
nat sound from the boom anyway, so they didn't care about the lavs at
that time and didn't want to stop the shoot.
that raises an interesting question for me though - does it matter if
it is the tx or rx near the source of interference? does it cause the
same kind of interference if one or the other is near the source of
the problem? in my situation, the analog TXs were near the problem and
the digital TX was with the soundbag. however, the digital rx mounted
on the camera was very close to the go-cart engines. would the
problem have been the same the other way around?
brian
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