Hi Ben,
I think the biggest difference that will be seen in the 'delivered'
files will be the file names.
If I remember correctly Cantar filenames are long (shouldnt be a
problem) - I expect that Scott will chime in here and remind us of how
they work!
Deva filenames are short, and are of the form:-
FFFFSSS_t.wav
Where FFFF= The Folder name or number
SSS = the Segment no. (starts at 1 in a new folder and goes up by 1
each time you hit the record button)
t= track no.
Dont worry about the MARF business at all - it is backroom stuff that
Deva does and you should never, ever see a MARF file other than inside
a Deva. The DVD-RAM, or CF card, or HDD that you burn to from a Deva
will only ever have .wav files on it.
The BWF-F files that can be burned on a Deva were a fiddle which was
to do with a software glitch on Fostex DV40 machines which many
syncing up/post houses used to use (or maybe still do). If the DV40
saw a sample rate flag faster than 48k (i.e. 48.048) it would assume
that the files were recorded at 96k. It would play them back at half
speed. The fiddle that Zaxcom did with BWF-F files was to stamp a
48.048 file with a 48k sample rate flag, that would fool the Fostex
into playing the file at the correct speed - well it was something
like that anyway!!
The Cantar (or it might in fact be that nifty bit of software that you
can get for it) does this neat trick, where you can record your mix to
trax 7&8 on the Cantar, but when you make your deliverable it renames
trax 7 &8 as trax 1&2 and bumps all the other track names up by 2.
This is a clever trick for luddites such as myself - I like to see mic
IP 1 on track/meter no 1, mic 2 on track 2 etc.. This means that I
like to put my mix on 9&10 (in the case of Deva) or 7&8 (in the case
of a Cantar). Post Prod of course like to get the mix on 1, or 1&2,
hence this neat Cantar trick. None of this, however, need bother you,
and is of no relavance to the files as deliverables!!
Kindest regards,
Simon B
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