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| Related Topics: | Pros & cons of 35, Super 16... - I'm trying to get some input on what the costs and problems are with these three formats: 35mm 35mm (3-perf) Super-16 We are looking to do a feature with a budget around 2 million. The producer says 35mm because he wants it to look the best possible..
Lock Stock & Two Smoking Barrels - Anyone happen to know how Tim Maurice-Jones achived such a low contrast 'look' in Lock Stock and Two Smoking Barrels? - nrm
Fuji 35mm Reala 8592 - For all you out there not shooting 16mm, here is some 35mm. I have at least 40K of 8592 recans, tested. I also have factory selaed which could be mixed in to complete a feature package. Email for details. Mike Luehring Media Distributors
making film look different to video - I've been asked to augment a digibeta shoot, with some contrasting bits on film (S16). The film bits will probably be just mute links in the final edit. Any suggestions as to how I can make it look "different"? obviously, slow mo shots are some...
Motion Picture Tripods - I need a tripod for my Canon Scoopic (small 16mm MOS camera). I have a cheapy tripod for a still camera, and it is not suitable for the Scoopic, too small and weak. I am wondering if there are special tripods made for motion picture cameras, or if I.. |
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